安妮•迪斯泰尔曾是法国国家博物馆的馆藏人员，先后在国立网球场现代博物馆、奥赛博物馆工作，担任法国博物馆部收藏部主任。 安妮•迪斯泰尔专研印象派绘画，发表过以印象派画作收藏家和画商为主题的多篇文章及作品《印象派画家的收藏家们》，并参与了多个国际画展的组织，如“印象派百年展（1974）”“雷诺阿（1985）”“修拉（1991）”等。

[ 英 ] 威廉·冈特(1900-1980）：英国艺术家和艺术史学家，著有许多关于19世纪艺术的书籍和文章。

安妮•迪斯泰尔曾是法国国家博物馆的馆藏人员，先后在国立网球场现代博物馆、奥赛博物馆工作，担任法国博物馆部收藏部主任。 安妮•迪斯泰尔专研印象派绘画，发表过以印象派画作收藏家和画商为主题的多篇文章及作品《印象派画家的收藏家们》，并参与了多个国际画展的组织，如“印象派百年展（1974）”“雷诺阿（1985）”“修拉（1991）”等。

Francine Prose's life of Michelangelo Merisi (da Caravaggio) evokes the genius of this incomparable artist through a brilliant reading of his paintings. Caravaggio's use of ordinary people, realistically portrayed—street boys, prostitutes, the poor, the aged—was a profound and revolutionary innovation that left its mark on generations of artists. Revered and successful, Caravag...(展开全部)

Francine Prose's life of Caravaggio evokes the genius of this great artist through a brilliant reading of his paintings. Caravaggio defied the aesthetic conventions of his time; his use of ordinary people, realistically portrayed—street boys, prostitutes, the poor, the aged—was a profound and revolutionary innovation that left its mark on generations of artists. His insistence ...(展开全部)

Francine Prose's life of Michelangelo Merisi (da Caravaggio) evokes the genius of this incomparable artist through a brilliant reading of his paintings. Caravaggio's use of ordinary people, realistically portrayed—street boys, prostitutes, the poor, the aged—was a profound and revolutionary innovation that left its mark on generations of artists. Revered and successful, Caravag...(展开全部)

Francine Prose's life of Caravaggio evokes the genius of this great artist through a brilliant reading of his paintings. Caravaggio defied the aesthetic conventions of his time; his use of ordinary people, realistically portrayed—street boys, prostitutes, the poor, the aged—was a profound and revolutionary innovation that left its mark on generations of artists. His insistence ...(展开全部)

The elusive and intriguingly titled Eye of the Painter and Elements of Beauty is Loomis' last book, published posthumously in 1961, two years after his death. It's his treatise on how an artist perceives beauty and harmony. It's an interesting book, but it's not for casual perusal and doesn't have all that much Loomis art. It's mainly illustrated with samples of the work of fin...(展开全部)